![]() Working from the color wheel, a filmmaker may choose to use different schemes according to what they wish to convey. Since its minimalist inclusion in The Phantom of the Opera (1925) color has been utilized to convey both the obvious and the metaphorical texts behind the film.įilmmakers employ the use of color theory in film to portray a particular atmosphere or message, whether that be a character's state of mind, a sense of danger or serenity, or to highlight and emphasize a particular object or person. From the rich, crimson blood reminiscent of tin can paint staining the crisp white peasant blouse of a Hammer Horror virgin, to the luminescent neon green ooze filling the vials of an unhinged scientist's workbench as he attempts to resurrect the dead, color in horror is of the utmost importance.
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